Free & Fast Worldwide Delivery.

Award-winning Art, Made In London.

Crafted Sustainably
Gallery Wall Template Ideas

Gallery Wall Template Ideas

by Abstract House in Buying Guides

Looking to create a gallery wall of prints but not sure how in which layout to hang them? You are in luck! In this guide, we have curated the perfect layouts for your space to create an eye catching gallery wall that you and your family can cherish for many years.

Creating a gallery wall with fine art prints from our pre-designed edits.

Set of six framed artworks on a white background

The random layout. This layout might look random but it is in fact balanced and pleasing to the eye.

Large maximalist gallery wall art prints layout
The Maximalist. This layout is for the lovers of colour and maximalism in design. 

Watercolour Leaves Gallery Wall Art Set-framed-Gallery Wall Art-Abstract House

The Symmetrical Set. This balanced look is a modern twist on the random sizes which adds elegance to the wall.

Living room with a gray sofa, wooden coffee table, and wall art displaying landscapes and animals.

The Long Layout. This set of focuses on the earthy brown tones throughout to create a collected look.

Living room with a beige sofa and wall art featuring abstract cityscapes.

The 4-2 Layout. This layout showcases two larger framed prints (50x70cm) with four other framed prints (30x40cm) scattered around to create a welcoming yet powerful composition.

Luxury set of 6 square art prints in a grid
The Grid. this layout is currently trending in particular with interior designers working on luxury homes and offices. 

Another Grid layout but with 4 framed prints ideal for smaller spaces.

 

Discover more gallery wall and sets ideas from our curated gallery wall art collection.

gallery wall of framed abstract art on the wall in various sizes and frame colours above a large 4 seater sofa

Tags: art gallery walls gallery wall gallery wall art gallery wall displays Gallery Wall Layout Ideas Layout

Related Posts

Original Painting vs Art Print: How to Decide What's Right for You

Original Painting vs Art Print: How to Decide What's Right for You

This is the question we receive more than almost any other. And the honest answer is: it depends on what art means to you. There is no wrong answer. Both original paintings and high-quality prints have a legitimate place in a well-considered home. The mistake most people make is assuming that one is inherently superior to the other, when the truth is more nuanced. The case for an original painting An original is unique. There is only one. The texture of the brushstroke, the layering of paint, the trace of the artist's physical presence in the work — these are things that reproduction, however faithful, cannot fully capture. When you own an original, you own a piece of someone's creative life. At Abstract House, our originals are hand-painted by our founder Omar Obaid, whose oil and mixed media paintings draw on alchemical, elemental, and philosophical themes. Each one arrives signed on the back with a Certificate of Authenticity confirming its provenance. Originals also tend to grow in value as an artist's reputation develops. If you buy early in an artist's career — and you believe in their work — an original can become genuinely significant over time. The case for a fine art print The finest giclée prints are a far cry from the mass-produced posters of a generation ago. Printed on Hahnemühle museum-grade paper with 12-colour pigment inks, our prints reproduce the tonal range and character of the original with extraordinary fidelity. A print lets you access work that might be out of reach at original price. It also lets you do so in formats and sizes perfectly suited to your space. Want a 120cm wide piece for above your sofa? A print gives you that flexibility. Want to build a cohesive three-piece set? Our curated print collections are designed precisely for this. A print is also the practical choice if you move regularly, rent your home, or simply want to refresh your space without a significant long-term commitment. How to decide Ask yourself these questions: Is this a long-term purchase? If yes, an original offers depth of ownership that a print cannot. If you are decorating a space that may change, a print is more sensible. What is your budget? Originals begin at a higher price point by nature. But our limited edition prints occupy a meaningful middle ground — genuinely collectible, not simply decorative. Do you want to feel the work? There is something irreplaceable about standing in front of a painting that carries the physical mark of its making. If you have always wanted that feeling in your home, an original delivers it. Whatever you choose, the most important factor remains the same: buy what moves you. 

Learn more
How to Buy Original Art on a Budget — A Practical Guide for UK Collectors

How to Buy Original Art on a Budget — A Practical Guide for UK Collectors

Original art is one of those categories that seems, from the outside, to require either serious money or serious knowledge. Neither is true. The UK art market spans an enormous price range — from paintings by emerging graduates starting at a few hundred pounds to established-artist works at five or six figures — and there has never been more accessible information to help first-time buyers navigate it. This guide answers the questions people actually search when they start thinking about buying their first original painting. What is the difference between an original painting and a print? An original painting is a unique, one-of-a-kind work made by hand — oil on canvas, acrylic on board, mixed media on paper. It exists as a single object in the world. A print (including giclée prints, lithographs, and screenprints) is a reproduced image, even when it is signed and numbered. Limited edition prints can have real value, but they are categorically different from originals: there are multiple copies, and the hand of the artist is present only in the signing and numbering, not in the making of the image. This distinction matters because originals appreciate differently, feel different in a room, and carry a different kind of meaning. The knowledge that the painting on your wall was made by one pair of hands, and exists nowhere else in the world, is genuinely different from a print — and most collectors, once they own an original, find prints feel like a different category of object. How much does an original painting cost in the UK? The range is wider than most people assume. Here is a rough guide to the UK market in 2026: Under £500: Works on paper, small-format originals, paintings by early-career or student artists. This is a viable category — some of the most compelling contemporary painters are at the early stages of their careers and pricing accordingly. £500–£2,000: The sweet spot for first-time collectors. You can find original canvases by emerging artists with strong exhibition records and art school credentials in this range. This is also where Abstract House's original painting programme begins. £2,000–£10,000: Mid-market originals from artists with 5–15 years of exhibition history, gallery representation, and a measurable track record. £10,000+: Established-name work, significant scale, or works with auction history. This is an investment category with corresponding due diligence requirements. Where should I buy original art in the UK? Direct from the studio or artist: The best value for money. No gallery markup (typically 40–60%), and a direct connection with the maker. Abstract House sells direct from our London studio, which is why our prices reflect the cost of the work rather than the cost of the postcode we occupy. Independent galleries: Worth exploring in London (particularly Shoreditch, Bethnal Green, and Peckham rather than Mayfair), and in regional cities including Bristol, Manchester, and Edinburgh, where prices are 20–30% lower than equivalent work in the capital. Art fairs: Graduate shows (Chelsea, Goldsmiths, RCA, Slade) are excellent for discovering emerging talent at accessible prices. The Affordable Art Fair runs in London twice a year and is specifically oriented toward the £100–£10,000 range. Online platforms: Saatchi Art, Artsy, and smaller studio websites have made original art genuinely accessible online. The key when buying online is to ask for detailed photography, dimensions in context, and a condition report. Can I negotiate on the price of an original painting? Often, yes. Gallery prices are typically marked up to accommodate negotiation, and a polite enquiry — "Is there any flexibility on the price?" — is entirely standard practice in the art world. You can often achieve 10–20% off in a gallery context, particularly on a second visit or when buying more than one work. When buying direct from artists or studios, the relationship matters more than the discount. If the pricing is already fair (no gallery markup), negotiating aggressively can feel disrespectful, and may close the door on future works by an artist whose career you want to follow. How do I know if a painting is genuinely original? Look at the surface. Oil and acrylic paintings have texture — the brushwork is legible in the physical object in a way that reproduction cannot replicate. Look for the artist's signature (typically on the front, sometimes on the reverse of the canvas), and check the back of the work for gallery labels, exhibition stickers, and any provenance documentation. For works above £1,500, ask for a certificate of authenticity. For works above £3,000 by a named artist, consider checking the Art Loss Register to confirm the work has not been reported stolen. Is original art a good investment? The honest answer is: it depends, and that should not be your primary reason for buying. The UK art market saw average annual growth of around 7–9% between 2020 and 2025, but this figure is heavily weighted toward established names. Emerging artist work is volatile — some appreciates significantly, some does not. The more reliable investment logic is personal: a painting that you love, that changes the quality of a room, and that you live with for a decade, has already delivered value independent of what it might fetch at auction. Buy work you would genuinely want on your wall even if it never increased in monetary value. The collectors who approach it that way tend to build the most interesting collections. What size should I choose? Proportion matters enormously. A work that is too small for a wall will look tentative; one that is too large will overwhelm. A good rule of thumb: the painting should occupy roughly two-thirds to three-quarters of the width of the furniture beneath it (a sofa, a console table, a headboard). For a blank wall with no furniture reference, a substantial single work or a considered group of smaller pieces tends to be more satisfying than a single piece that undersells the space. Abstract House offers art consultations — led by Summer Obaid, who can advise on sizing, framing, and placement for your specific space. Use it. Shop original paintings direct from our London studio at abstracthouse.com. Free UK delivery on all orders. Free Art consultations available by appointment.

Learn more
How to Choose Art by Colour for Every Room in Your Home

How to Choose Art by Colour for Every Room in Your Home

In theory, choosing art by colour is simple: pick what you like. In practice, it is a little more considered than that — particularly when you want a home that feels genuinely cohesive rather than decoratively busy. This guide will help you make confident colour decisions room by room, drawing on both design principles and the psychological effects of colour explored in our companion piece. The Bedroom: Rest, Restoration, Calm The bedroom has one primary function: it should feel like the best version of rest. The art you choose here should support that, not compete with it.  Best colours: deep soft blues (navy, slate, dusk tones), pale sage greens, warm off-whites and linens, muted blush. These are colours the nervous system reads as calm and safe. Avoid at scale: high-contrast black and white (visually stimulating), bright reds or oranges (energising), very saturated yellows. Our collection, Art For Bedroom works particularly well in bedrooms — the soft tonal ranges create quiet visual landscapes that settle rather than stimulate. One practical note: scale matters. A single large, calm abstract above the bed will deliver more restful atmosphere than a busy cluster of smaller works. The Living Room: Expression, Warmth, Connection This is where you can take risks. The living room is the most public space in a home — it is where guests form their first impression of your taste, and where you spend time connecting with people you love. Best colours: warm ochres, terracotta, earthy reds, rich warm neutrals, deep greens. These are colours that promote sociability and feel alive in artificial evening light. Work from our Art For Living Room collection — with the gestural marks and layered earthy palettes — make strong statements above a sofa or fireplace without feeling aggressive. As a general rule, artwork above a sofa should be roughly two-thirds the width of the sofa. A piece that is too small for its space feels tentative rather than decorative. The Kitchen and Dining Room: Energy and Appetite Warmth and energy are your allies in eating spaces. Kitchens and dining rooms benefit from colours that feel convivial and alive. Best colours: warm yellows, organic greens, earthy reds, ochre tones. These are colours that promote appetite and animated conversation. Flora collection prints work beautifully here — their organic, nature-inspired forms feel right at home alongside the textures of a kitchen. The Home Office: Focus and Flow This is where colour choice becomes genuinely functional. The colours around you while you work affect how you think. For focused, detail-oriented work: cooler, quieter palettes — pale blues, soft greys, clean neutrals. These reduce distraction and keep the eye rested. For creative work: richer blues, blue-greens, and deep teals have been shown to enhance creative output in research settings. The Void collection, with its deep atmospheric tones, is a strong choice for a creative workspace. The Hallway: Welcome Hallways are transitional spaces — their job is to set a tone and prepare you for what follows. A confident, considered piece here signals that the rest of the home has been equally thought through. Best colours: warm and welcoming — ochres, soft terracottas, warm whites. A bold statement piece that works as a visual anchor as you enter. One final thought Colour is personal. The frameworks above are not rules. But understanding what colours do — beyond what they simply look like — gives you the confidence to choose not just with your eye, but with genuine intention.

Learn more