Inside a West-London Studio Where Colour Takes the Lead
Nestled near Richmond in West London, my studio is rarely quiet.
There’s usually music playing, canvases leaning against every wall and a floor generously dotted with paint. It’s here that my new expressionist collection was born – a body of work that’s all about colour, texture and spontaneous brushstrokes designed for modern collectors, interior lovers and design-led homes.
This collection is my way of redefining “abstract colour theory” – taking something that can feel constructed and making it deeply personal, emotional and completely liveable. These are pieces created not just to be looked at, but to be lived with: art that transforms a living room, anchors a dining space, or brings calm to a bedroom.
If you’re drawn to contemporary abstract art, rich layers of paint and colour that feels both bold and beautifully considered, this is for you.
Meet the Artist Loved By London Collectors
I’m an abstract artist based in West London, creating original paintings full of expression, emotion - designed for collectors who value craftsmanship, atmosphere and individuality in their homes.
My journey into abstract expressionism started in a more traditional way – sketchbooks, classical drawing, experimenting with compositions. Over time, I realised what truly excited me weren’t the rules, but the moments I broke them. The imperfect marks. The colours that shouldn’t work together, but somehow did. The feeling of paint moving across canvas before I had time to overthink it.
Today, my work is defined by an emotional use of colour. I paint how a place, memory or feeling feels, not how it looks in literal form.
My signature style is represented by layered texture and spontaneous brushstrokes. Palette knives and brushes are my tools, and I create textural definition with glazing, scraping and building up paint so the surface has depth and tactility. I’m known for the physical, gestural marks that hold the energy of the moment they were made.
Art: 'A Guide Through The Unknown II' original abstract painting by Omar Obaid
Art: Close up photo of 'A Guide Through The Unknown II'
Every original is created in my West-London studio, so each piece is built to last, both visually and physically. Paintings are a personal treasure, holding meaning and memories - which will grow with you through every chapter of your life.
What It Means to Redefine Abstract Colour Theory
"Colour theory" can sound like something reserved for textbooks and art schools. In my studio, it’s a living, breathing part of the process – more like a conversation than a formula.
Colour as Emotion, Not Just Decoration
For me, colour is a language.
A smoky blue can feel like a quiet Sunday morning. A chalky beige can ground a space, like sand under bare feet. A flash of green can be the spark in a room that’s otherwise calm and neutral. When I’m painting, I think less about “Is this shade technically correct?” and more about “Does this colour feel like what I’m trying to say?”
That’s where the idea of redefining abstract colour theory comes in: it’s about shifting focus from strict rules to emotional resonance. The works in this expressionist collection are built on colour stories - palettes designed to shift the mood of a room, not simply match it.
Art: XO original painting, 200 x 200 cm | oil and acrylic on canvas.
Balancing Neutrals with Bold, Expressive Hues
You’ll notice a recurring rhythm in the collection: a dialogue between soft, neutral grounds and more expressive, saturated strokes.
Neutral palettes include warm whites, stone, oatmeal, soft greys - I often choose these colours to create a calm foundation.
Bolder colour choices include inky blues, moss greens, ochres, blush, burnt Sienna - these colours move across the surface with energy and intent, creating an everlasting impression.
This balance means the artworks feel at home in both minimalist and more maximalist interiors. Rather than shouting for attention, they invite you closer. My collectors have always said that when they admire my paintings, “The more you look, the more you see” - meaning their discovery of the painting is a process that can be enjoyed everyday. The colour is confident but considered – something collectors and interior designers often pick up on when they see the work in person.
Infinity 56 - Framed Original Abstract Painting
Inside the New Expressionist Collection
This collection is my most colour-driven body of work to date: a series of original abstract paintings that celebrate gestural mark-making, layered texture and instinctive composition.
Texture You Can Almost Touch
Many of the original paintings are built over multiple sessions, sometimes over weeks:
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Layers of paint are added, washed back, then re-applied.
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Glazes soften and veil earlier marks without completely hiding them.
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Scratches and palette knife marks reveal glimpses of the colours beneath.
The result is a surface you want to reach out and touch – a sense of history and depth that only comes from working and reworking the canvas until it feels just right.
Spontaneous Brushstrokes, Considered Composition
Although the brushstrokes themselves are energetic and spontaneous, the overall compositions are quietly considered. I’m always looking for that point where a piece feels complete, balanced, but still alive – a moment where there’s enough tension to keep your eye moving, but enough calm to make it a joy to live with day after day.
Art: Echoes Of Time by Omar Obaid
Within the collection, you’ll find large-scale statement pieces for feature walls and open-plan living spaces.
Medium artworks are ideal for above consoles, in dining rooms or layered with other pieces.
All of my originals are one-of-one, so collectors can invest knowing their piece remains special and not mass-produced.
From Studio to Home – How to Style This Collection in Your Space
Owning art isn’t just about falling in love with a piece; it’s also about knowing where and how it will live in your home. Here are a few ways collectors and interior lovers are styling this expressionist collection.
Art: Close up of 'Interference II' by Omar Obaid
Choosing the Right Size for Your Wall
Scale is everything. A beautiful painting that’s too small can feel lost, while one that’s well-proportioned to the wall can transform the entire room.
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Above a sofa or bed: Aim for a piece that’s around two-thirds the width of the furniture below it, or a striking diptych/triptych that spans the space.
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In dining rooms: A strong horizontal work can ground the table and become a natural focal point during dinners.
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Hallways and transitional spaces: Taller, slimmer pieces draw the eye through and make even smaller areas feel curated and intentional.
If you’re unsure, a simple trick is to tape out the dimensions of the artwork on your wall with masking tape to get a feel for the size before you invest.
Styling Colourful Art in a Neutral Interior
If your home leans towards neutrals – think soft beiges, warm whites, light woods – colourful abstract art can be the finishing touch that pulls everything together.
- Let the art be the star – avoid matching every accessory to it; instead, echo tones subtly.
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Pick out one or two accent colours from the artwork that you love for cushions, throws or a single statement vase.
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Mix textures – linen sofas, wool rugs and a textured canvas work beautifully together, adding depth without visual clutter.
For more maximalist spaces, the paintings work as visual anchors – pockets of calm amongst pattern and colour, or vibrant companions to bolder schemes.
For Collectors – Why This Expressionist Series Matters
While these pieces are created to sit comfortably in everyday interiors, they’re also rooted in the values collectors look for: intention, craftsmanship and a clear sense of identity.
Limited Editions and Original Works
Every original painting in this collection is one-of-a-kind, signed by me on the back of the painting, and accompanied by a signed certificate of authenticity.
This limited approach respects both the work and the collectors who invest in it. It means that when you hang one of these paintings in your home, you’re not seeing it repeated in every other space on social media.
Craftsmanship, Materials and Longevity
As a London-based artist, I care deeply about how these pieces are made:
My original art is painted on premium canvas using professional-grade acrylics or oils.
Framing options are chosen to compliment contemporary interiors – think clean lines, natural woods, and timeless solid wooden profiles.
This focus on quality means you’re not just buying something beautiful for right now; you’re investing in work that can grow with you and your home.
Behind the Scenes – A Day in the West-London Studio
People often tell me that seeing the studio changes how they experience the work – it’s where the pieces stop being purely “decor” and become part of a story.
A typical day might look like this:
1. I arrive with a coffee and spend the first half hour simply looking – checking how paintings have dried overnight, how colours have shifted, what’s asking to be pushed further or left alone.
2. Music goes on, and I mix colour – not from strict formulas, but by instinct, adjusting until a palette feels right.
3. I move between canvases, adding layers to some, scraping others back, allowing each piece to dictate its own pace. Some resolve quickly; others ask for patience.
4. I'm usually working on a few commissions for private residential clients, or for interior designers or commercial architects. I'll continue working on these pieces based on the clients' requirements and update my clients, with photos and videos - or even to organise a studio visit to see the finished piece in person in my studio.
The studio floor by this point tells its own story in drips and smudges of paint – a map of where each piece has been. Once the painting starts, everything becomes about the canvas in front of me and the abstract colour language we’re building together.
Sustainability also plays an important role: I work with UK suppliers to source my raw materials where possible, as it's important to me to support local businesses, reuse and recycle packaging, and choose materials that are designed for longevity rather than fast turnover.
Art: The Divine, original abstract painting 150x180 cm by Omar Obaid
How to Start Or Grow Your Abstract Art Collection
Whether you’re buying your first piece or adding to an existing collection, choosing art should feel exciting, not intimidating.
Buying What You Love - Why It Matters
Trends come and go, but the artworks that truly earn their place in your home are the ones you feel a connection to. Notice which pieces you keep gravitating back to:
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Does a certain colour palette make you feel calm or energised?
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Are you drawn to softer, atmospheric works or bolder, more graphic compositions?
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Do you see this piece working in more than one room, as your home evolves?
If the answer keeps coming back as “yes”, that’s usually a good sign.
Practicalities: Buying Art Online with Confidence
Investing in art online can feel like a leap of faith, which is why I try to make the process as reassuring as possible:
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Detailed photography and close-ups so you can see texture, colour and scale.
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Clear information on dimensions, framing options and hanging advice.
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Secure, carefully packaged shipping with reputable couriers.
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Certificates of authenticity with both originals and limited edition prints.
If you ever need help choosing a piece or deciding on the right size, I’m always happy to offer guidance – I've been painting professionally for 15 years now, and my collectors have stayed with me throughout my career. Many follow me on my Instagram or TikTok account and we keep in touch.
Explore the Collection – Book a Viewing or Shop Online
If this glimpse into the studio and the new expressionist collection has sparked something for you, I’d love you to explore the work in more depth.
You can:
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Browse the full Expressionist Collection online – discover original abstract paintings created in my West-London studio for contemporary homes and collectors.
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Book a private studio visit or virtual viewing – see works in person (or via video) and chat through sizes, palettes and placement for your space.
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Join the mailing list – for early access to new releases, behind-the-scenes studio notes and collecting tips.
Artwork: Thin Air original painting by Omar Obaid
Whether you’re an established collector, an interior designer working on a project, or simply someone who wants to bring more meaningful, expressive colour into your home, this collection is an invitation to live with art that feels as good as it looks.
And if one of these pieces finds its way from my West-London studio to your wall, I hope it becomes part of your everyday rituals – the thing you notice in the quiet moments, the backdrop to conversations, dinners, mornings and nights. That’s where abstract colour theory truly comes to life: not just in the studio, but in the homes and lives it touches.
Infinity 54 original painting by artist Omar Obaid
If you have any questions about any of the paintings in this collection, please get in touch and our Art Consultants will be happy to assist you.
